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Rayures dans la mer, tâches dans la savane : atelier créatif de Laura Mertz
Samedi 29 février du 15h au 17h
Atelier créatif + goûter à Coutume (12€)

ANOMAL
Quentin Garel

et RENCONTRES DE BAMAKO
exposition photo

MuséOthérapie, l’Art de se sentir bien !
Conférence Samedi 8 février à 15h :
« Art détox »
Estelle d’Almeida, chef de pr...

Ariane Loze - Une et la même

Fabien Tabur présente Buisson Ardent

ERWIN WURM Photographs

GROUP SHOW :
Féminin

antoine poupel
GROUP SHOW : 1970-1990, Regards sur la création havraise

Jusqu’au 22 février 2020

vladimir skoda
GROUP SHOW : L’œil et la nuit

elissa marchal
SOLO SHOW : Horizons

 
[idées]
19-12-2016

A Joycean Exegesis of The Large Glass: Homeric Traces
in the Postmodernism of Marcel Duchamp.
Odysseus and the Marchand du sel: Duchamp’s
In Advance of the Broken Arm as the Winnowing Fan

by Megakles Rogakos
MEGAKLES ROGAKOS M.A., M.A. | Art Historian & Exhibition Curator

[Synopsis: Duchamp’s readymade In Advance of the Broken Arm seems to be less self-referential and more evocative of the Homeric Winnowing Fan allegory. Such a relation would support the idea that the Marchand du sel pun is evocative of Odysseus.]

Richard Streitmatter-Tran
[Fig. 8]

Pepper is a flowering vine, cultivated for its fruit, which is usually dried and used as a seasoning. It was an uncommon and expensive item, affordable only to the wealthy. Pepper is the symbol of excitement and flavour (Seaman and Philbin 2006: ad loc). As such, pepper evokes the things that one is missing in life, some of which may relate to one’s hidden desires as well. This brings to mind Gustave Courbet’s The Origin of the World (1866), a picture focusing on the female model’s bushy and cavernous vagina that is the source of life if it is fertilized by the phallus.

Salt is the only edible mineral, one of its many contradictions. It exists in vast quantities in the sea, and is readily available by the evaporation of seawater. It is emblematic of the seaman and his challenge at sea. Salt is at the root of the Latin term salarium, with reference to money, and its monetary significance led to the expression "being worth one's salt". It is clear that salt is a quality linked to masculinity and a male activity. This prompted Orlan to appropriate Courbet’s work and create its pendant, titled The Origin of War (2016), using the respective naked portion of a male model with his erect phallus as the instrument of aggression. When Heraclitus said, "War is the father and king of all, and has produced some as gods and some as men, and has made some slaves and some free.” (Plutarch 1970:370), he meant that war brings about the necessary change from stagnation. Such change is an indicator of the dynamism in society which may serve for or against its culture.

 

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Christophe Cartier au Musée Paul Delouvrier
du 6 au 28 Octobre 2012
Peintures 2007 - 2012
Auteurs: Estelle Pagès et Jean-Luc Chalumeau


Christophe Cartier / Gisèle Didi
D'une main peindre...
Préface de Jean-Pierre Maurel


Christophe Cartier

"Rêves, ou c'est la mort qui vient"
édité aux éditions du manuscrit.com